By Mary Frances McCarthy
HERALD Staff Writer
(From the issue of 5/20/04)
When he entered The Julliard School in New York, Dr. Garwood Whaley never
dreamed his career path would lead to a Catholic high school outside of
Washington, D.C.
Whaley, band director at Bishop Ireton High School in Alexandria, retired
Jan. 30 after spending half the year working together with Dr. Randall
Eyles, his successor.
"For me to leave in June and someone else start in September would be a
disaster," Whaley said. "I didn’t want to see anything happen to my baby.
It’s easy for something to break down. It takes a long time to build it."
After Whaley graduated as a professional percussionist from Julliard in
the 1960s, he was drafted, with conflict rising in Vietnam. He auditioned
for the West Point Band, but they did not have an opening. The Army Band
accepted Whaley, and he spent the next six years in Washington.
While in Washington, Whaley began working on a master’s degree at
Catholic University and offered private music lessons at Ireton. At the end
of his six years with the Army, Whaley had a wife, two children and half a
master’s degree. Traveling around the country and trying to find a job
performing wasn’t as appealing as it was before he had a family.
Whaley admits that "the idea of (conducting) a high school band is not a
very appealing one." He took a job directing the band program at Bishop
Ireton in 1970, thinking that the job would last until he found a job with a
symphony. Whaley said his first year with the all-boys band was "so bad, I
couldn’t leave and be a failure."
Whaley decided to stay and make the band "work." He felt an all boys band
wouldn’t cut it because, for reasons he can’t explain, boys play certain
instruments and girls tend to play others. He approached St. Mary Academy in
Alexandria, and his band classes became the first co-ed classes at Ireton.
Out of "30 kids who couldn’t play" in 1970, "I created a monster," Whaley
said.
The Ireton band has "developed into an unbelievable, nationally renowned
program."
Bishop Ireton dedicated its 800-seat concert hall, in honor of Whaley, in
1998 after spending 20 years of performances in a gymnasium. Whaley said it
was an "unbelievable honor" to have the hall named after him.
Under his tutelage, the Ireton Band Program has performed international
concert tours every year since 1974 to Canada, Europe and Scandinavia. This
was the first spring that Whaley did accompany the band on its tour.
For the last 25 years, Ireton has performed a combined concert every year
with a university or professional band. They also work with composers on
works commissioned by Ireton. Through this program, the composer often comes
to the school to work with the students, and the students are part of the
creative process of writing a musical arrangement. By commissioning the
piece, the band has first performance rights.
Whaley has produced two recordings of Ireton’s Commissioned Works with
the Washington Winds. In a recent review in The Instrumentalist
magazine a reviewer wrote, "Bravo to the Washington Winds, Garwood Whaley,
and the band boosters at Bishop Ireton High School for creating and
sponsoring such a worthwhile fine arts project."
Whaley is known nationally for implementing a "comprehensive
musicianship" curriculum at Ireton. The curriculum does not simply teach
students how to play music; it is academic, aesthetic and artistic.
Students learn about the composer, the piece of music, historical style,
formal structure and melodic devices. Students are asked to write music in a
similar style, so that they know not only how to dissect a piece, but how to
rebuild it again. Whaley considers this style of teaching music to be very
similar to teaching literature. This is his answer to the push for music
programs to become more academic.
But music is not purely academic; it’s also an art form.
"People in this field, many of them are so driven," Whaley said. "This is
not football. It’s an art form and should be taught as an art form." Whaley
said music is not about winning a trophy at a competition, but about
reproducing a work of art, and reproducing it well.
"My job is not to please Mom and Dad," Whaley said. "My job is to educate
John and Mary so they can grow up with an aesthetic sense of values."
Whaley hopes to spread the concept of comprehensive musicianship to more
schools. In his retirement, he will continue to be a guest lecturer for high
schools and universities.
"Mr. Whaley’s innovations in the field of music have not only provided
international recognition for the band program at Bishop Ireton, but has
also benefited the instrumental music program in over 25 elementary schools
in the Diocese of Arlington," said Diocesan Superintendent of Schools Dr.
Timothy McNiff.
Whaley will continue to work with the diocese, coordinating the
instrumental music program he created 26 years ago for elementary schools.
Through the program, lessons are offered during school hours once a week.
Currently, 28 schools and more than 1,500 students participate in the
program.
Whaley also created the honor band in 1976 to challenge the more talented
members of the elementary school bands who might otherwise get bored with
the pace of classes.
The honor band performs a combined concert with the Bishop Ireton Band
every spring.
Whaley said his closeness to students is what he will miss most in his
retirement.
"That’s a very hurtful part of this change in my life," he said. "In the
last 12 years, it’s been a really wonderful, loving relationship and I’m
really going to miss that."
Since his retirement four months ago, Whaley has served as guest
conductor for a high school honor band and a university festival band,
adjudicator for band festivals in Baltimore, Rhode Island and Kentucky,
guest speaker and clinician at the Capitol University Band Directors Clinic
in Columbus, Ohio, and as professor for a Virginia Commonwealth University
graduate course in comprehensive musicianship.
Aside from continuing his work with the diocesan instrumental music
program, Whaley will also continue to run Meredith Music Publications.
Founded in 1979, the publishing company follows the same guidelines of
Whaley’s comprehensive musicianship philosophy. Its publications are "both
instructive and musically rewarding."
Whaley has been involved in writing more then 20 books. "Working outside
the school and with the school complemented each other," he said. "The fact
that my name was out there brought credit to me here at the school and with
students."
Whaley’s honors include being chosen as Outstanding Secondary Educators
of America Award, Outstanding National Catholic Bandmaster, The National
Band Association’s Citation of Excellence, the National Federation
Interscholastic Music Association’s Outstanding Music Educator Award, the
John Philip Sousa Foundation’s Legion of Honor Award. He received the
distinguished alumni award from Catholic University in 1996 for his
achievements in music education. Every year from 1998 to 2003, Whaley
received The Washington Post’s Grant in the Arts for his Commissioned
Work and Composer-in-the-School Project.
"It’s been an incredible career that evolved, and we built something out
of nothing," Whaley said.
He passed the baton to Eyles in January, having full confidence that
Eyles will take care of his "baby." Whaley personally chose Eyles to assume
the role of band director at Ireton. He is a former superintendent of the
U.S. Air Force Band and former executive director of the Percussive Arts
Society. He composed "Freckles Rag," Ireton’s commission work in 1982.
Thirty-four years after Whaley took a job he thought would last a year,
although under new direction, the band plays on at Bishop Ireton.