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As an immediate sign of his concern and an encouragement to other donors, Pope Francis has sent $50,000 each to Mozambique, Zimbabwe and Malawi to assist with initial emergency relief efforts after a cyclone hit the region and caused massive flooding. 

When her mother (voice of Jennifer Garner) becomes seriously ill and must go away for medical treatment, a young girl (voice of Brianna Denski) lashes out by turning her back on the imaginary amusement park they had created together with the help of an ensemble of stuffed animals (the most prominent voiced by Norbert Leo Butz, Ken Hudson Campbell and Mila Kunis). But on a journey through the woods near her home she stumbles on a real-life version of the venue and finds that it's in crisis because of her anger and neglect.

This generally engaging young-adult romantic drama about the redeeming power of sacrificial love is aimed, with the precision of a heat-seeking missile, at 17-year-old girls. But mature themes, including sexuality, preclude endorsement for most adolescents. Director Justin Baldoni and screenwriters Mikki Daughtry and Tobias Iaconis take on mortality from cystic fibrosis, a subject that could easily have led them into tasteless mawkishness. Instead, they've treated their material in a way that's compassionate, medically correct and, for the most part, morally sound. br />

Lavish origin story finds the superhero of the title (Brie Larson) faithfully serving the alien civilization that trained her as a warrior in its struggle against the encroachments of a race of shape-shifting enemies (led by Ben Mendelsohn). But when she joins her military mentor (Jude Law) on a mission to 1995 Earth, persistent flashbacks to a previous life become ever more troubling and confusing for her, especially after she joins forces with a SHIELD officer (Samuel L. Jackson) and the two go in search of the scientist (Annette Bening) who seems to be crucial both to the intergalactic conflict and to her missing past.

Writer-director and star Tyler Perry has given his alter ego Mabel "Madea" Simmons a sweet and funny valedictory as she organizes a family funeral and dispenses relationship wisdom to younger family members caught in the pain of infidelity. It's an immensely satisfying story that returns to the formula of Perry's successful stage plays.

A naive waitress (Chloe Grace Moretz), still mourning the recent death of her mother, finds a lost handbag on a New York City subway train and, on returning it, discovers that its owner is a lonely French-accented widow (Isabelle Huppert). The two quickly bond, but all is not, of course, what it seems in director and co-writer Neil Jordan's psychological thriller, which also features Maika Monroe as the server's savvier roommate.

Visuals are sumptuous, but the story scant as writer-director Dean DeBlois wraps up a trilogy of animated adventures in all three of which, based on books by Cressida Cowell, he has had a hand. Now the ruler of the community of Vikings whose aversion to dragons he cured, the lad (voice of Jay Baruchel) at the center of the franchise continues his romance with his true love (voice of America Ferrera) even as he battles a villain (voice of F. Murray Abraham) intent on ensnaring his beloved pet fire-breather.

Adapted from a series of graphic novels by Yukito Kishiro by screenwriter James Cameron and director Robert Rodriguez, this futuristic action adventure follows the romantic and crusading exploits of the titular cyborg (Rosa Salazar).

A science experiment gone awry once again traps the college student protagonist (Jessica Rothe) of the 2017 original in a time warp, dooming her to relive her birthday, and her murder at the hands of a masked killer during it, over and over again until she, her boyfriend (Israel Broussard) and his roommate (Phi Vu), the creator of the device that caused the problem, can figure out how to break the cycle.

In this clever send-up of romantic comedies, an architect (Rebel Wilson) who's a cynical critic of the genre gets a blow to the head and wakes up in a transformed version of her world, one filled with all the cliches of the films she disdains.

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