WASHINGTON — The “power and beauty of music” in the
context of the Mass “leads to the deepening and awakening of faith,”
said Msgr. Walter Rossi, rector of the Basilica of the National Shrine of the
Immaculate Conception in Washington.
He made the comments Nov. 19 before the national shrine’s choir
performed a special concert in the Crypt Church to celebrate the founding of
the choir in 1966.
Under the direction of Peter Latona, the national shrine’s
director of music, the choir performed works by among others Gregorio Allegri,
Anton Bruckner, Herbert Norman Howells, Pawel Lukaszewski, Giovanni Pierluigi
da Palestrina and Sir John Kenneth Tavener.
Msgr. Rossi called the choir “an integral part of the
mission of this national shrine.”
“The basilica … is a privileged place in which we, pilgrims
on earth, experience the loving and saving presence of God,” he said.
“It is here that pilgrims find a fruitful space away from daily
distractions — where we can collect ourselves, gather our thoughts, and
reacquire the spiritual health to embark upon the journey of faith with greater
enthusiasm.”
Celebrating the Eucharist “is at the heart of the
sacramental life of Mary’s shrine,” he said. “In the Eucharist, the
Lord Jesus offers pilgrims the opportunity for the transformation of our entire
being. Therefore, the dignity of the Eucharistic celebration is of prime
importance.”
“The power and beauty of music in the context of the Roman
Catholic liturgy leads to the deepening and awakening of faith, and assists in
our praise of him who is ineffably sublime,” Msgr. Rossi said. “It is
through our praise that we, the faithful, progress on our pilgrimage to the
world of the resurrection.”
In the choir’s 50 years, he said, “millions of people who
have walked through the doors of this basilica have been spiritually nourished
by musicians who have dedicated their time and talents.”
The original shrine choir was comprised of 40 voices and was
known as the “Shrine Chorale.” Today, it is made up of 25
professional singers and has performed around the United States and abroad, for
Pope Benedict XVI and Pope Francis, and released numerous recordings.
Masses and concerts have been broadcast worldwide and include
regular collaboration with the Washington Symphonic Brass and the Orchestra of
the 17th Century, which is a period-instrument ensemble, as well as members of
the National Symphony Orchestra.
Msgr. Rossi praised past and current members of the choir and
especially thanked Latona for his 15 years as music director. The priest said
he is “a magnificent director who truly puts himself into his music.”
The rector also noted the choir recently performed a series of
concerts in Rome and that following one of those concerts, “the comment
was made that our choir ‘sounds like heaven.’ ”
